Editor’s Note: This is part three of an article titled “Analog Fetishes and Digital Futures” written by Mike Berk from a fascinating book, Modulations, a History of Electronic Music, Throbbing Words on Sound (2000). Republished on Headphone Commute with permission of the publisher, Caipirinha Productions / Cultures Of Resistance Network. Be sure to also read Everybody Loves a 303.
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